■ The Pop Edition
September 30: Flintstones Bows, Capote Turns 102

Born On This Day
Truman Capote
1924 · WOULD HAVE BEEN 102
He turned New Orleans upbringing into In Cold Blood's clipped, reportorial menace, then spent his final decades as the party fixture who spilled secrets on his own social circle in unfinished manuscripts. Capote died in 1984, but his voice, on the page and off it, never really stopped talking.
Johnny Mathis
1935 · TURNS 91
His silken baritone made Chances Are and Misty into standards that outlived the pop charts they climbed. Mathis has spent seven decades as the default soundtrack for slow dances and December mornings alike.
Fran Drescher
1957 · TURNS 69
She built The Nanny into a sitcom empire on the strength of a Queens accent that networks initially thought was too much, then went on to co-create and star in it herself. Later she became a cancer advocate and, more recently, president of SAG-AFTRA during a landmark strike.
Monica Bellucci
1964 · TURNS 62
She went from Italian runways to The Matrix Reloaded and Irreversible, building a career that treated glamour and menace as compatible tools rather than opposites. She's kept working steadily across French and American productions for over three decades.
Marion Cotillard
1975 · TURNS 51
Her transformation into Edith Piaf for La Vie en Rose won her the Best Actress Oscar and made her one of the few French performers to cross fully into Hollywood leading roles. She followed it with Inception, Dark Knight Rises, and a steady stream of work back home in French cinema.
Prime Time: The Flintstones
ABC took a gamble on September 30, 1960 by scheduling a cartoon at 8:30 p.m., a slot that had always belonged to live-action sitcoms and Westerns. The Flintstones, from Hanna-Barbera, wasn't aimed only at kids on a Saturday morning; it was built and sold to adults, complete with cigarette sponsorship from Winston during its early seasons.
The premise was a lightly disguised riff on The Honeymooners, with Fred and Wilma standing in for Ralph and Alice, only relocated to a Stone Age suburb with dinosaur-powered appliances and a foot-pedal car. Critics at the time were skeptical that a cartoon could sustain adult sitcom rhythms for a full season, but the show ran six seasons on ABC's prime-time schedule, an unheard-of run for animation at that point.
It proved something the networks hadn't tested before: that animated characters could carry adult marital comedy, workplace grumbling, and suburban aspiration just as well as flesh-and-blood actors. Every prime-time animated sitcom that followed, from The Simpsons on down, owes something to a bowling-league husband from Bedrock who yelled his wife's name at the door every night.
Opening Weekend: Miss Peregrine's Home for Peculiar Children
Tim Burton's adaptation of Ransom Riggs' novel opened wide on September 30, 2016, ten years back, bringing Eva Green's monocled headmistress and a house full of children with strange abilities to theaters nationwide. It arrived the same weekend as Deepwater Horizon, splitting the box office between a period fantasy and a disaster drama in a way that made the weekend feel oddly split down the middle between escapism and grim realism.
The film leaned hard into Burton's usual visual register: gothic manor houses, invisible boys, a girl who's lighter than air, all filtered through his familiar palette of muted color and off-kilter production design. Critics were mixed, praising the world-building while questioning whether the plot mechanics of time loops and monster hunts held together as tightly as the source material's fans wanted.
It didn't spawn the franchise 20th Century Fox had hoped for, but it did mark one of the last studio-scale outings for Burton's particular brand of melancholic whimsy before he pivoted toward television with Wednesday a few years later. Looking back, it reads less as a misfire and more as a transitional film, bridging his blockbuster period with the smaller, stranger work that followed.
Meanwhile…
1955James Dean dies in a car crash near Cholame, California, at 24, just weeks before Rebel Without a Cause opened wide.
1975Muhammad Ali defeats Joe Frazier in the Thrilla in Manila, a fight so brutal Ali later said it was the closest thing to dying he'd known.
2005Serenity, the big-screen sequel to Joss Whedon's canceled Firefly, opens in theaters, giving the show's fans the ending the network never let it earn.
201150/50, the Joseph Gordon-Levitt comedy about surviving cancer, opens in theaters to strong reviews for balancing dark subject matter with real laughs.
2016Deepwater Horizon opens the same weekend as Miss Peregrine's, splitting audiences between disaster drama and gothic fantasy.















